This is the third piece in a series of posts by Laurel Daen on the history of the copper and wood printing block process used to produce the William and Mary Quarterly until the mid-twentieth century. Laurel wrote the pieces in preparation for the OI’s 75th anniversary while she was Lapidus Initiative Communications Coordinator in 2016. by… Read More »
Christine DeLucia, author of “Fugitive Collections in New England Indian Country: Indigenous Material Culture and Early American History Making at Ezra Stiles’s Yale Museum” in the January 2018 edition of the William and Mary Quarterly reflects on the broader implications of making a “simple” change to her recent article. by Christine DeLucia It wasn’t quite a “stop… Read More »
The following is a transcript of remarks given by Sid Lapidus during session #289, “Private Funding in the Humanities,” at the January 2018 American Historical Association meeting in Washington, D.C. Introduction by Karin Wulf At the January 2018 meeting of the American Historical Association, I chaired a session, put together by the program committee, on… Read More »
WMQ author Katherine Carté Engel (January 2018) discusses some of the questions the editorial process forced her to confront when writing her article “Connecting Protestants in Britain’s Eighteenth-century Atlantic Empire.” by Katherine Carté Engel According to the handy new tool put up by Michael McDonnell, the word “colonial” appears 138 times in titles in the WMQ.… Read More »
Our thanks to Laurel Daen for researching and writing this series of posts in preparation for the Omohundro Institute’s 75th anniversary while she was the Lapidus Initiative Communications Coordinator in 2016. A Look at Printing Illustrations in the WMQ in the Mid-Twentieth Century By Laurel Daen Part I In 2018, the OI celebrates its 75th… Read More »
Lauren Coats (Associate Professor of English and Director, Digital Scholarship Lab) and Andrew Sluyter (Professor of Geography and Anthropology) of Louisiana State University, in conjunction with LSU Libraries, received one of three awards made last year for the Lapidus Initiative Fellowships for Digital Collections. In concert with other OI projects promoting creative use of digital tools… Read More »
2017 was an extraordinary year for the Omohundro Institute’s burgeoning role as a podcast producer. Liz Covart, creator and host of Ben Franklin’s World, joined the OI full-time as Digital Projects Editor. While they remain based in Boston much of the year, Liz, her partner Tim, and their companion Sprocket, planted a Red Sox flag… Read More »